A purpose-made, market-driven, crass, exploitation film. It isn't particularly good but, for me, it was really my film school. It's where I taught myself how to make a feature film and made a lot of mistakes on it - but I tried to learn from them. It was a film made in the context of not really being able to get any support for anything I was trying to do, then just going out and making something that I thought would have a back-end market, would be a safe bet, a sort of straight-to-video schlock film.〔("Interview with Jon Hewitt", ''Signet'', 27 August 1998 ) accessed 18 November 2012〕